Jalal Joubi is Alepin of birth
and with fact its studies with the academy of Alep in 1981.
Youssef Hajé learned how to him to play of the violin, then
was the turn with Moustafa Al-Darwish, the son of the large
musician Ali Darwich, who it nitia with the great theories
fundamental of the musical one. Followed of Nadim Al Darwich
which learned to him the secrecy from the notes, melody,
rates/rhythms and scales.
It is in 1990 that it started to play of Qanun and became
member with the trade union of the artists in 1994. Had with
its talents extrèmes, it started to work, in 1994, with the
large singer, and very well-known in the Arab world, Sabah
Fakri. It initially played of the violin. Then Qanun taken
of the emplor in his interests, in 1997.
In short, Jalal Joubi affirms that of the four Qanuns that
it makes acquisition, that of Nabil Kassis was the best. It
makes use jusu' of it now and company holds to him where it
goes. It currently plays of Qanun in the orchestra of Sabah
Fakri which expressed its admiration for the manufacture of
this instrument which was manufactured by Nabil Kassis.
Jalal Joubi passes message: "Of the quatres (4) that I
bought during my career, only of Nabil Kassis I liked that.
I wish in Nabil Kassis prosperity and success in the life
because it deserves it after all these efforts."
Mehyi el Dine Gali
very tender childhood which I am impassioned of Qanun. So
much, that I bought myself one of them. I thus put myself to
play about it, and suddenly, I drew the attention of my
uncle Mohammed Ali Ghali, professor with the radio of
Lebanese diffusion and with the national academy, it then
registered me with the national academy to develop my
talents, which according to him were more than good.
I then studied with the academy. My professor, Mohamed
Sabsabi, were very proud of my talent and I was among the
permiers with the consevatoire. I had right to several
purses that nobody had had with paravant.
career started after having finished my studies. I worked
then with very large singers such as Farid Al Atrach, Karem
Mohammed, Mahoud Abd El Moutabeb, Chadia Mahamad Kiri, Wadig
Al safi, Mohamad Al Arabi, Fairouz, Sabah Alia, Tunisian,
Charifa Fadel, Fabd Ballan, Najah Salan, Souad ' Mouhammad,
Smira Tanfik, Mohannad Abdon, Fadel Armoud, Mahoumd Ruchdi,
Sayed Mékarvi and I pass from there.
I also took
part in many world festivals among which I had right to
plueisurs medals. I reçoie constament innomblables
invitations of the Arab countries to be member of sworn in
competitions of Qanuns.
Qanun of which I currently play is made by large Nabil
Kassis. A man in whom I have very large fièreté. Most
enthralling with him, it is that it knows as well with in
played to manufacture some. Very rare thing nowadays.
are remarkably incredible. I cannot say evil of these bijous
because they do not have aucuns defects for me. It is the
mixture d.' artist and of manufacturing which makes EC
instruement perfect tool for a player of Qanun. I wish him
best luck in the music and art to manufacture Qanuns."
Ghassan with fact its studies
with the academy of Damas. It plays and is currently a
proffessor of Qanun to the academy of Alep.
It has consilier the Eastern music and the Western music by
the intermediary of the piano, without counting its
participation very marked in the concerts in Damas and in
It says: "Qanun that I use is manufactured by Nabil Kassis.
It is the instrument most thoroughly conceived that I know.
Moreover, it drew the attention of several Russian experts
whom I met and who taught with the academy of Damas. The
colleagues often borrow my Qanun to play about it in the
concerts or their examinations. I am more than satisfied
with my Qanun. Thank you Nabil!"
I was born Emily Antoine Toulon in France, studied music and
playing piano in the micro-machine and studied at the
Institute of handicrafts and obtained a diploma. And to hear
the zither in concert bands that come to France, resulting
in the manufacture of this I have a dream machine Shrni
voice, and this dream can be achieved only Bseveri Arab
country to make this machine, and after research and
verification learned that the most famous manufacturers of
this machine is Syria and Turkey travel Vazmt This beautiful
country of Syria, and when I arrived Syria reached through
good and people like Professor Salim artist Bali to plant
the most important opinion of the law professors in Syria, a
music professor Nabil Kassis, after Nabil see me and see how
my love and my passion to learn and Andfai this industry
before Ptahlmy me and the subject Keep it began in Manhattan
on a daily basis and I am full attention of the touched by
the accuracy and professionalism, and after careful study
and consideration of the dimensions of the machine, as this
study and education needed to play on this machine, because
the factory is convinced that any musical instrument must be
skillful musicians Every development in the playing Develop
industry-level and made me work under his supervision in
some important matters in the machine industry, but the
short-term (six months) is not enough to learn the industry
is a precious note that my teacher has more than fifteen
years in this craft and he always considered himself first
and all the way On discovering and developing something new.